In the Barry Onouye architectural studio at the University of Washington, we are exploring how nets can be imagined and built for visual expression. In my previous post, we discussed the mechanics of nets and exemplified their behavior with nets that we use in daily applications. In this post, we turn our attention to how net can be topologically classified and how we see those … Continue reading NETS AND DANCE: What can we learn from nature and art?
Last week at the IASS the Form Finding Lab was very involved in the session on severe conditions & disasters. The session was chaired by our own Sigrid Adriaenssens and close collaborator Prof. Ruy Marcelo Pauletti from the University of Sao Paulo, and many more collaborators presented their research. The revue of familiar faces started with Eftychia Dichorou from the University of Cambridge. Dichorou presented … Continue reading Reporting from IASS 2017 – Severe Conditions & Disasters
It has been said that the work of Frei Otto (Germany, 1912-2015) has a sculptural quality to it . Although Frei Otto’s parents were sculptors, he insisted that the shapes he produced were rigidly grounded in the laws of physics , and was very reluctant to describe their aesthetic value. This observation hints at the questions that this paper starts to address, namely how can one describe the aesthetics of a curved structural surface?
It is observed that structural aesthetic critique is a little practiced discipline. In engineering education, students generally are not encouraged to express their emotions about the built environment, and are not frequently encouraged to develop an enthusiasm for visual experiences . Beauty seems to engineers such a vague concept, hard to define accurately to others.